The result of these artworks was that they became greatly abstracted, with this style said to represent the artist’s thoughts and emotions when creating the artwork. This freedom in art was characterized by an unrestrained use of color, shapes, forms, and gestural marks, which were combined to achieve an unusual aesthetic, which led to intense emotional responses from viewers.
Rain Landscape (1911) by Wassily Kandinsky Wassily Kandinsky, CC0, via Wikimedia Commons The development of Abstract Art gave artists the autonomy needed to create endless boundaries in order to put together their theoretical compositions and label them as “art”. Artists began to depict these concepts of what was seen in society through non-realistic and symbolic artworks, which demonstrated a great departure from traditional and representative artistic creation. This was because reality at the time, with all of its many changes, was thought to be incredibly restricting and artists felt a need to break away from its limitations.Ībstraction was firmly established as a major force within the art world as society began to experience depression, food shortages, and war. Most artists in the early 20th century sought new ways of producing art, with Abstract Art existing as a medium that evoked the notion of being entirely abstracted from something real.
Thought to arise during the late 19th century and early 20th century, Abstract Art opposed traditional representation art, as it aimed to bear no resemblance to anything remotely distinguishable in the natural world.Ībstract Art arose as artists attempted to create works that were completely unrelated to any perceptible references, to the point where artworks became completely detached from reality altogether. Seen as a non-representational art movement, abstraction within art developed tremendously throughout the years, with many artists choosing to experiment within this genre. 2.10 Robert Motherwell: Elegy to the Spanish Republic No.2.8 Helen Frankenthaler: Mountains and Sea (1952).2.7 Jackson Pollock: Convergence (1952).
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